The complexity of reinforced sound is so profound that we need to approach our work with a combination of intuition and cold physical analytics. And always with a clear unwavering focus on connecting musicians and audience.

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Live productions are typically dominated by a lot of outside factors. Sound properties of the venue, instruments on stage, new mixer/effectsettings every night, different monitor preferences, sudden technical problems on stage- off stage or even in the power grid, and a lot of other factors which differs from the studio environment. And this is exactly what makes it so exiting to work in live situations. Here we need the abillity to keep cool when all hell breaks lose, and here we need extensive knowledge on how to handle all the critical variables.

 

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